One day of shooting. A month of content.

Examples

This is what it looks like.

A fight night, a trade fair, a wedding. Different occasions, the same way of working. Vertical, short, ready for the feed.

• Marko BojkovićFNC, fight
• Ceremony from aboveDrone
• Belgrade Future GamingBelgrade Fair
• HondaFNC, walkout
• The couple's entranceWedding
• Marko BojkovićFight camp

Let us guess

You know you should be posting. There is always something more urgent.

A month goes by, the profile sits empty, and you remember it when you see a competitor post for the fifth time.

• No time

  Shooting, editing, subtitles and writing captions eat half a working day a week. That day of yours is already full.

• Nothing to shoot

  You open the camera and your mind goes blank. Ideas that felt good in your head look forced on camera.

• You post, and nothing

  Two hundred views, half of them people you know. After a few of those it is normal to give up.

• A phone is not enough

  Phone footage looks like phone footage. Someone doing worse work than you comes across as more serious purely because the picture is better.

• You tried someone

  They shot it, took the money, vanished. Or sent the files a month later, long after the promotion was over.

• You cannot tell if it pays

  If nobody tracks the numbers, content is just a cost. Tracked, you see which clip brought a customer and at what price.

How it goes

One day at your place, a month of posts.

Four steps, no surprises halfway through.

1. 01

   The call

   Twenty minutes on the phone. What you sell, who buys it, where competitors beat you. From that we see whether to shoot the process, the people or the product. If you do not need content right now, we will say so instead of taking your money.

2. 02

   Prep

   We write a script and a shot list before the camera is switched on. You get a list of what needs to be ready, from the space to the wardrobe. That is why one day is enough — nothing is improvised on the spot.

3. 03

   The shoot

   We arrive with a Sony FX3, lights, microphones and a drone if the location calls for it. We shoot in blocks, so within a few hours there is material for dozens of posts. You do not have to be on camera if you would rather not.

4. 04

   Edit and publish

   We cut, add subtitles and music, and send it over for approval. Once you say yes, we post on schedule and watch what worked and what did not. The raw footage stays with you and can run as ads too.

Packages

Pick the pace.

The price depends on the location, the number of shoots and whether we post on your behalf. Get in touch and you have a figure within 24 hours.

• Trial

  To see what it looks like before committing.

  • One shoot, no obligation after
  • A set of vertical clips
  • Editing, subtitles and music
  • Cover frames for the feed
  • The raw footage stays with you

• Monthly

  For brands that need a steady flow of content.

  • One shoot day every month
  • Content for a full month of posts
  • Script and shot list up front
  • A posting plan with captions
  • We post on your behalf
  • A monthly reach report
  • No year-long lock-in

• Content and ads

  When the footage has to bring enquiries, not just views.

  • Everything in Monthly
  • Meta account and pixel setup
  • Running campaigns and budget
  • Creatives from the same shoot
  • A landing page for the campaign
  • A report with cost per enquiry

In every package: the raw footage and the accounts stay in your name · invoice and contract · one person to talk to.